Books authored

* Julian Barnes from the Margins. Exploring the Writer’s Archives. London: Bloomsbury, 2020. 272p.


         « Inspiration and Insight in the Papers of Julian Barnes. » Ransom Center Magazine (Austin, Texas), Fall 2020: 18-23.
           Review by Nicole Terrien. Cercles 15 December 2020.
           Review by Peter Childs. Études britanniques contemporaines 59 (2020).


* Jonathan Coe. Basingstoke: Palgrave Macmillan / New British Fiction Series, 2015. 182p. Extract PDF

 

 


Review by Catherine Bernard, Etudes Anglaises 71.3 (July-Sept 2018): 373-75.

* Seeing and Being: Ben Okri's The Famished Road. Paris: Presses Universitaires de France, 2012. 176p.





* Ceci n’est pas une fiction. Les romans vrais de B.S. Johnson. Paris : Presses de l'Université Paris-Sorbonne, collection « Britannia », 2009. 312p.

 

Review by Jean-Michel Ganteau, Études britanniques contemporaines 37 (2009): 174-175.
Review by Jean-Michel Ganteau,
Études Anglaises 63.4 (2010): 498-500.


* The Fiction of Julian Barnes. Basingstoke : Palgrave Macmillan, 2006. 168p.

Publication in Slovene translation of two chapters in Julian Barnes. Prerekanja. MalaDrama 04 (Nov. 2007).

- « Julian Barnes v 10 ½ poglavjih » (pp.8-12), trans. Barbara Skubic.

- « Polifonija ljubezni in resnice » (pp.21-25), trans. Tina Mahkota.


* Julian Barnes. L’art du mélange. Bordeaux : Presses Universitaires de Bordeaux / collection Couleurs anglaises, 2001. 136p.



*
Flaubert’s Parrot de Julian Barnes. Paris : Armand Colin, 2001. 140p.



* Postmodernisme et effets de brouillage dans la fiction de Julian Barnes
. Lille : Presses Universitaires du Septentrion, 2001. 735p.



Books edited and special issues of journals


* Co-edited with Wojciech Drąg, eds. The Poetics of Fragmentation in Contemporary British and American Fiction. Wilmington, DE: Vernon Press, 2019. 252p.


Sample chapter

Review by Catherine Bernard, Paris Diderot University, 2019.

Review by Béatrice Trotignon, Cercles (2020).



Co-edited with Christian Gutleben. Nadine Gordimer, Jump and Other Stories: Parcours Critiques. Cycnos 34.3 (2018). 192p.



Review by Kathie Birat, Cercles (2019).
Review by Mathilde Rogez, Commonwealth Essays and Studies 41.2 (Spring 2019): 123-124.


* « LOL! Comedy, humour and satire in the literature and visual arts of the 20th and 21st centuries in Britain. » Études britanniques contemporaines 51 (2016). https://ebc.revues.org/3312



* Co-edited with Christian Gutleben. Traversée d’une oeuvre: Crossing the River de Caryl Phillips. Cycnos 32.1 (2016). 236p.




Review by Françoise Kral, Cercles (2017)
Review by Bénédicte Ledent, Commonwealth Essays and Studies 40.1 (Autumn 2017): 159-60.
Review by Judith Misrahi-Barak, Études britanniques contemporaines 54 (2018).


* Ed. Ben Okri: A Special Issue. Callaloo, volume 38, number 5, Fall 2015.

 

 

 

* Ed. Crossed Correspondences. Writers as Readers and Critics of their Peers. Newcastle upon Tyne: Cambridge Scholars Publishing, 2016. 285p. Extract PDF

 

 


* Co-edited with Marc Porée. Special issue of Etudes Anglaises. The British Contemporary Novel: 2008-2015. 68.2 (April-June 2015)

 

 

* The Inside of a Shell. Alice Munro's Dance of the Happy Shades. Newcastle upon Tyne: Cambridge Scholars Publishing, 2015. 296 p. Extract PDF

 

 

* The B. S. Johnson - Zulfikar Ghose Correspondence. Newcastle upon Tyne: Cambridge Scholars Publishing, 2015. 485 p. Extract PDF


 


Review by Muneeza Shamsie, Dawn, 6 December 2015.
Review by Georges Letissier, Etudes Anglaises 71.3 (July-Sept 2018): 371-73.


* The Famished Road: Imaginary Homelands. Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2013. 170p. Extract PDF

 

 

 

* Novelists in the New Millennium. Conversations with Writers. Basingstoke: Palgrave Macmillan, 2012. 165p. Extract PDF

 



Review by Christina Petrie, Times Literary Supplement 12 April 2013.

Review by Elsa Sacksick, Etudes britanniques contemporaines 44 (2013), Online since 29 November 2013. URL : http://ebc.revues.org/572


* Littérature anglaise contemporaine. In collaboration with Marilyn Hacker. Siècle 21 20 (Spring/Summer 2012).


 

 

* Hybridity: Forms and Figures in Literature and the Visual Arts. In collaboration with Catherine Pesso-Miquel and François Specq. Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2011. 380p. Extract PDF


 


* Chasing Butterflies. Janet Frame's The Lagoon and Other Stories. Paris: Editions Publibook Université, 2011. 172p.

 


*
Worlds within Words: Twenty-first Century Visions on the Work of Julian Barnes. Special issue. American, British and Canadian Studies 13 (Dec. 2009). Sibiu: LucianBlagaUniversity Press, 2009. 169p.

 

 


* Voices and Silence in the Contemporary Novel in English. Newcastle-upon-Tyne : Cambridge Scholars Publishing, 2009. 290p. Extract (PDF)




Review by Jean-Michel Ganteau, Études britanniques contemporaines, 38 (2010): 173-174. http://journals.openedition.org/ebc/3227

* Conversations with Julian Barnes. In collaboration with Ryan Roberts. Mississippi : University of Mississippi Press, 2009. 198p.

 

Review by J.C., Times Literary Supplement 22 May 2009.

* Re-Mapping London. Visions of the Metropolis in the Contemporary Novel in English. Paris : Éditions Publibook Université, 2008. 252p.

 

Review by Alain Blayac, Études britanniques contemporaines 37 (2009): 173. http://journals.openedition.org/ebc/3700

* Graham Greene. The Power and the Glory: The Sorbonne Conference and Other Papers. In collaboration with François Gallix, Christian Gutleben, and Jean-Claude Souesme. Revue Cycnos (Nice) 25.1 (2008). 164p.



* Plus sur Greene. In collaboration with François Gallix. Paris : Éditions Atlande, 2007. 93p.

 

Pre- and Post-Publication Itineraries of the Contemporary Novel in English. In collaboration with François Gallix. Paris : Éditions Publibook Université, 2007. 352p.

 

* Récits de voyage et romans voyageurs. Aspects de la littérature contemporaine de langue anglaise. En collaboration avec François Gallix, Jean Viviès et Matthew Graves. Aix-en-Provence : Publication de l’Université de Provence, 2006. 253p.

 

* Crime Fictions. Subverted Codes and New Structures. In collaboration with François Gallix. Paris : Presses de l’Université Paris-Sorbonne, 2004. 204p.



Translations

(1) Hotel Andromeda. Gabriel Josipovici. Paris: Quidam Éditeur, 2021. 180p.


« Gabriel Josipovici : l’insoutenable légèreté de l’art. » D-Fiction 15 April 2021.


(2) Dans le jardin d’un hôtel. Gabriel Josipovici. Paris: Quidam Éditeur, 2017. 160p.

 

 

(3) B.S. Johnson. Histoire d’un éléphant fougueux. Jonathan Coe. Paris: Quidam Éditeur, 2010. 516p.


 

Reviews


Radio programme

"Ecrire / Traduire"

Pascale Casanova, France Culture (radio), 12 May 2009.


(4) « Vent d’est. La nouvelle du New Yorker. » Julian Barnes. Senso 32 (automne 2008): 1-7.

 

(5) « ‘Surtout ne changez pas!’ » Julian Barnes. Le Nouvel Observateur 2276 (19-25 juin 2008) : 14-15.


(6)« Madame Bovary, c’est moi. » Julian Barnes. Le Nouvel Observateur 2185 (21-27 sept. 2006) : 120-124.


(7) « A Crit­ical Alter­na­tive to Post­colo­nial Hybridity: the Caribbean Neo-Baroque. » Daniel-Henri Pageaux. Hybridity: Forms and Figures in Literature and the Visual Arts. Eds Vanessa Guignery, Catherine Pesso-Miquel and François Specq. Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2011. 291-301.